Tractor Pulls and Good Music

I’ve sat in with blues songwriter Pat Wictor at a few of his gigs, and I’ll be playing the Connecticut Agricultural Fair with him tomorrow. I’ll be joining him on the side stage along with Mara Levine, a vocalist whose harmonies have blown me away at a number of shows recently, and percussionist Cheryl Prashker.

Pat is an extraordinary songwriter who plays beautiful lap slide guitar, doing songs that are firmly rooted in the blues but entirely original. He’s also one of the only people (aside from John Cephas) who can cover Skip James, the deepest of the Mississippi blues singers, successfully. Pat is a great musician and a good guy and I’m very happy to be playing with him.

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(Almost) All Electronic

A friend signed up recently to receive her Citibank credit card statement online rather than via postal mail. Seems to make sense, right? Saves paper, saves postage. However, since signing up, she’s received every month a letter in the mail that begins,

Your Citibank statement is now available at [URL deleted]. This notification is part of the All-Electronic Program you enrolled in to receive your statements online only instead of in the mail.

It goes on to remind her to keep her contact information currrent, to remember that spam blockers might prevent delivery of the electronic statement, and concludes, “We hope you continue to enjoy the many benefits of the All-Electronic Program.”

I don’t know that I could say anything to make that more humorous.

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John Herald, 1939 – 2005

John Herald, one of the originators of the New York City bluegrass scene and one of the most generous and giving musicians I’ve ever met, died this week. Back in March, I wrote about a tribute to him at the Parkside Lounge a few months ago, a wonderful evening for a wonderful musician.

John Herald was a leading member of the folk scene in the Village when Bob Dylan was a scruffy kid playing open mics. He was a founder of the Greenbriar Boys, generally acknowledged as the first Northeastern bluegrass band. Every Dylan fan knows about Robert Shelton’s career-launching 1961 New York Times review of a Dylan show at Gerde’s Folk City. That wasn’t actually a Dylan show; it was a Greenbriar Boys show at which Dylan was the opening act.

Herald’s crystal clear tenor and dynamite guitar playing drove killer versions of old chestnuts like “Pal O’ Mine” as well as originals like “Alligator Man” and “Stewball.” On many a Monday night you could walk into the Parkside Lounge and find him playing to the waitress and the candles; other nights you’d see him rocking a packed room with his gentle humor and beautiful songs. He could be a challenge to play with, between his unusual guitar tunings and unique sense of timing, and his voice wasn’t as high was it was 40 years ago, but he could make you laugh, cry, and stare open-mouthed at the amount of music coming out of that one battered acoustic guitar, all in one set.

I’ve been too busy to go by the Parkside on Monday nights lately and was just telling my guitar teacher that I should try to catch one of his sets, and I wish I could hear him retuning one more time to sing that song telling his snotty girlfriend not to make fun of his old car, or getting everyone to sing along with John the Generator. And what a generator he was.

Coda…

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Bathroom Poetry

Picture217_29Jun05.jpg
Scrawled in magic marker on the wall of a bathroom stall at the the Thomas Edison Service Area on the New Jersey Turnpike was this beautiful piece of poetry. Ono No Komachi was a Japanese poet who wrote in the 800s, though not much else is known about her.

Three other translations of the poem are available on this page, which says this poem, KKS938, was written in response to a provincial official’s request that she join him for some sightseeing in the country.

The translation in the photo is uncredited, but may be an anime reference.

Transcription

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Back at the Underground Lounge

Mike Skliar and I had a great gig at the Underground Lounge on the Upper West Side last month, and we’ll be back there on Tuesday, July 12. The Underground Lounge is a downstairs venue at the southwest corner of 107th Street and West End Avenue (where Broadway meets West End). It started as a coffee house in the late 90’s, and now features music and comedy events every night. It’s a small friendly space with comfortable seating and friendly wait staff, and also has a (small) outdoor terrace, so it’s one of the few places in Manhattan where you can drink and smoke. We will be playing in the back room, and there’s no cover charge, although there is a two-drink minimum. As usual we’ll have some new songs, some old songs, and some surprises, intentional and otherwise. Details are as usual on the shows page at my site.

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Amnesty International vs. Arrogance International

Please take a moment to make as large a contribution as possible to Amnesty International, the latest member of the Shrub administration’s Axis Of People Who Insist On Telling the Truth About Us. If you have not already heard, Amnesty’s annual report on the state of human rights worldwide includes a ringing condemnation of the United States’ detention of prisoners without trial, without lawyers, and without any contact with the outside world.

A New Deep Throat?

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Two great quotes

I’m not sure whether these have enough staying power for the Quote Server, but they amused me considerably:

“Satisfying an image-conscious kid with another digital-music player [as opposed to the iPod] is like trying to teach the world to sing by buying it a C & C Cola.”

— Jason Fry and Tim Hanrahan, in The Wall Street Journal

“The president has this obsession, which he inherited from Reagan, of brush clearing. I don’t get it. What do you get when you clear brush? You get a photograph of yourself with a chain saw and a cowboy hat.”

— Larry McMurtry, in The New York Times

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Mike Skliar and I have finally scheduled our first New York City gig since March. We’ll be playing on the Upper West Side, at the Underground Lounge. Mike started playing there years ago, but this is the first time we’ll play there as a duo. It’s a friendly bar, with some food as well, on the corner where Broadway meets West End Avenue. It started as a coffee house in the late 90’s, and now features music and comedy events every night. It also has a (small) outdoor terrace, so its one of the few places in Manhattan where you can drink and smoke. We will be playing in the back room and there’s no cover charge. Complete details are on the shows page.

We’ll both have new songs making their debuts (or, in some cases, their NYC debuts) and there’s a new song available for download on our web sites: Blackberry Blossom, a traditional fiddle tune. Other new songs are on the way, and some new posts are in the offing as well, but the weather right now is too nice to stay inside and update my journal or work on recording.

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Exchange between my niece and my sister-in-law

“Mommy can you help? There are these two little bugs and they’re stuck together!”

“That’s OK, sweetie. I think they mean to do that.”

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