Louis Giampetruzzi Radio Memorial

I’m honored to be part of the radio memorial that WKCR-FM will host for Lou Giampetruzzi on Sunday, July 30, during Matt Winters’ Moonshine Show, from 10 a.m. to noon. We will remember Lou and toast his life musically, and also play some archival Kate and Lou Band recordings and music from their studio albums.

You can listen at 89.9 FM on your radio in the New York metropolitan area or at http://www.wkcr.org from anywhere in the world. And while you’re there, think about joining and/or supporting WKCR, one of the very few places on the dial you can still hear great live radio and American roots music.

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The Death and Life Of Great American Cities, Part II

This entry covers Part II of Jane Jacob’s classic book, which focuses on the ingredients necessary to promote diversity in a city. I wrote about Part I in an earlier post.

On diversity

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Lou Giampetruzzi, 1953-2006

Lou Giampetruzzi died on Friday. Some of you have seen me play with the Kate and Lou Band, and if you did, you know what a great musician and wonderful person he was. He was the master of almost any instrument he chose to play, and a generous man who always had time to teach and help younger musicians like me. He literally wrote the book on contemporary accordion, covering everything from Leadbelly to Cajun music to traditional tunes. He was a great mandolin player, played beautiful guitar, and in his younger days, played the hell out of the Hammond B3 organ in rock bands.

In addition to his wide knowledge of traditional American music, he and Kate wrote numerous original songs, including beautiful jazz ballads and more modern songs. His musicianship, their writing, and Kate’s voice, were an unbeatable combination. I used to promote the gigs with Kate and Lou as much out of enthusiasm for sharing how great they were as to get people to come see me play.

I first met Lou back when the Ponkiesburg Pickin’ Party was still at the Brazen Head on Sunday afternoons. I had a lot to learn about the music, and Lou, the elder statesman of the group, was always generous with his time, his memory and his music. I used to get there early on Sunday afternoons to sit with him for ten or fifteen minutes and learn a new tune or two, tunes I knew he’d kick off at full speed the next week, taking for granted that I’d learned them. He was a great mentor, a great musician, and a good friend, and I learned a lot from him and Kate both, about music and life. It was an honor and a joy to play with the Kate and Lou Band, and to get to know both of them.

Sitting there with him on a random Sunday, and watching him spend time with anyone and everyone, you’d never know what a master he was, or how many connections he made in the community. About three years ago he founded an invitation-only mailing list for people who’ve been involved in the NYC bluegrass and old-time scene over the past thirty years. The members include younger folks like me, as well as a lot of big names who got their start in this scene, and without exception, they all knew and respected Lou. And we’ll all miss him, very much.

One more photo, the Lou I remember

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Grey Fox 2006

We spent the weekend in upstate New York at the Grey Fox Bluegrass Festival, now in its 30th year. (This is the festival formerly known as Winterhawk.) The weather was reasonably cool, the music was great, and once we found a decent place to camp (at a commercial campground about 20 minutes away) we had a great time.

Grey Fox is a way of life for some people, who get there weeks early, set up very elaborate camps, and basically stay up for 24 hours watching music, picking* and partying. We had the best of both worlds — we got to spend some great time in people’s camps, playing and talking, but had a secluded peaceful spot to sleep at night.

*Bluegrass for “playing music”


More, with photos

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Realistic Time Travel

Spin, by Robert Charles Wilson

shunn gave this to me, saying it was one of the best SF novels of last year, and I have to wholeheartedly agree. At one level it’s a fascinating story that shows a (relatively) realistic possibility for traveling into the future.

Spoilers below

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Clearwater Revival, 2006

Last Sunday, I drove up to Croton-On-Hudson to see this year’s Clearwater Revival. This was the 40th year of the festival, which is an offshoot of the Clearwater environmental group, started by Pete Seeger and largely responsible for the improved condition of the Hudson over the past quarter-century.

The festival is in Croton Point Park, a beautiful spot almost surrounded by the river. Even on a 95-degree day, there were plenty of cool breezy spots to relax, even a few of them where you could see the performances on the main stage. I got to see a number of great performers, plus some lesser-known singers in a small tent, and wrapped it all up with the closing festival, where I got to see Pete Seeger sing “This Land Is Your Land.”

I wrote last week about the more distasteful side of the audience there, but it of course has a good side too. Lots of musicians (though there were few or no opportunities to play music with each other, which is a shame), surprisingly good food options, and lots of boats and sailors and the stories and songs that go along with them.


Photos under the cut

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Mark Knopfler and Emmylou Harris

I saw Mark Knopfler and Emmylou Harris perform tonight at Radio City, along with shunn and our friend Colin. We sat separately; I had sold off the block of tickets I’d bought and scored a single front-row seat. It was a wonderful show, two unassuming but spectacular musicians sharing a stage, sharing songs, and thoroughly enjoying themselves.

Pictures and more…

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Clearwater

Photo_061806_001.jpg A particularly excellent bumper sticker from the Clearwater Festival yesterday. I’ll be posting more photos at the end of the week, but in the meantime, a few thoughts.

A crowd like that at the festival — crunchy natural-fiber-wearing left-leaning SHUT-DOWN-GUANTANAMO activist Green-Party-voting indigenous-culture-loving types — are in some ways much more pleasant than the folks at, say, the San Gennaro festival on Staten Island. No fights broke out, very little in the way of shouted profanity, no inquiries as to whether someone is looking at someone else, no blasting stereos. But rudeness of a different type proliferated: that of overprivileged, over-entitled people who behave in shockingly rude ways, then take sweetly indignant offense when asked to please wait in line for the bathroom, or to please not sit in the walkways, or when told the shuttle bus will not be making any special stops for them. The best one was the cranky woman who sat next to me at the closing ceremony, bitching out the volunteers, whose confusion and contradictory directions resulted in us getting up and moving a total of four times. She complained, she asked who was in charge, she mocked them, she had apparently never seen such a bunch of idiots in her life. And five minutes later she was singing “We Shall Overcome” along with Pete Seeger. Not sure what she was overcoming.

The Clearwater organization was the moving force behind the cleanup of the Hudson over the past quarter-century and as such they have a demonstrated track record of doing practical, useful, non-Utopian things that earns them tremendous respect from me. Their big priority at this festival was gathering signatures for the closing of the Indian Point nuclear power plant. I thought about it, but I did not sign. It didn’t square with the “Kick the oil habit” shirts they were selling, and the concern for the safety of New Yorkers and the environmental effect on the river seems to be missing some corresponding concerns for the safety of miners and oilfield workers and the environmental effect on poorer, far-away communities. Not that uranium mining and waste disposal don’t have equally awful effects. But with General Motors subsidizing gas for their obscene SUVs, it seems to me there are more important targets out there.

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